Tuesday, 15 April 2008

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What we did on the 15/04/08 !!!!!!!!!!!!

Hey

Today we did some creative writing. We learned that at the time of Shakespeare men had deep feelings for each other and that they were not gay! We also learned to write as another person and to use our senses to say things like i could taste the fear...................

Mr Sharpe also introduced us to a new word.........juxtaposition-think this was it!!!!!!!

GC :)

S5 - Brooklyn Cop


Hey folks,

I'm sure we are all revising hard, what with the exams less than a month off now. Tick tock, tick tock.

The question set today was "Choose a poem which you know well which has a memorable character. Write about the character, explaining why you found it memorable."

If I were looked at this question in an exam, I'd follow the following 8 paragraph plan:

Introduction - "Brooklyn Cop" is a poem, by Normal MacCaig. There's my triangle of text, genre and author. Then I'd have a couple of sentences summarising the poem - explaining that it is about a tough cop working a dirty beat in Brooklyn, USA. I'd explain that it is about how the cop confronts violence every day in his job, and that a part of him likes this. I'd make sure I explained that this was why I thought he was memorable.

My link paragraph would talk about the areas I was going to explore, and what I was going to show in each. For example: The character is memorable for his size and strength and his frightening appearance. MacCaig uses extended metaphor, careful words choice, and symbolism to suggest that not only is he a man who enjoys his violent job, but a well rounded three dimensional character, who also loves his wife and fears that one day he might not return.

Then I'd write PEE paragraphs in following areas:


  • "Gorilla" - talk about extended metaphors, physical description of him, and why he needs to be so big, savage and beastial.

  • All other the physical bits here - "heiroglyphs" etc - and talk about the suggestion that he likes and even seeks out the violence. This would lead me onto ...

  • "Nightstick" - I'd talk about how he is memorable (see - referring back to the question) because his baton means he gets to be close to the people he is hitting, and how, unlike a gun, you can use it again and again. This also creates the impression that he likes violence. I'd also talk about symbolism of "night" in nightstick - is our eponymous cop the barrier that stops the "night" taking over the streets - maybe even referring back to "Hotel Room, 12th Floor" to show how clever I was

  • I'd talk about his softer side, and how he is a three dimensional character, by showing how he says "see you, babe" to his wife.

  • Finally, I'd discuss the deliberately ambiguous ending, and say it makes for a memorable character because it has so many interpretations - "And who would be who have to be
    his victims?" - because it is strange to think of policeman as having victims. Maybe he is so brutal, we feel sorry for the criminals who will become his victims.

In my final paragraph, which would be my conclusion, I'd sum up what I'd said and make sure I'd answered the question. I'd probably say something like "this was a great poem because I've never thought about policemen enjoying the violent side of their job before, and it helped me to understand more about what it must do to a person to be so close to agression every day."


Then I'd nad in my essay and take a 20 minute break before turning up for Mr Sharpe's after school exam practice session. But that's just me.


Brooklyn Cop
by Norman MacCaig


Built like a gorilla but less timid,
thick‑fleshed, steak‑coloured, with two
hieroglyphs in his face that mean
trouble, he walks the sidewalk and the
thin tissue over violence. This morning,
when he said, "See you, babe" to his wife,
he hoped it, he truly hoped it.
He is a gorilla
to whom "Hiya, honey" is no cliché.

Should the tissue tear, should he plunge through
into violence, what clubbings, what
gunshots between Phoebe's Whamburger
and Louie's Place.

Who would be him, gorilla with a nightstick,
whose home is a place
he might, this time, never get back to?

And who would be who have to be
his victims?

Monday, 14 April 2008

Merchant of Venice - The Courtroom Scene



Hi Everyone,

We are fast approaching the end of MoV, and last week we watched and read the climactic courtroom scene. Shylock has the power of the law fully behind him, but it is his determination to stick to the letter of the law which is his undoing.

The scene peaks with him, beaten, facing the choice between the gallows, or disavowing his religion and losing his wealth.

It's a powerful scene, with drama, strong emotions and lots of colour throughout.

Today's Task

Creative writing task today folks, with a reflective slant. Imagine you are one EITHER of the key characters in the scene - Bassanio, Gratiano, Antonio (oh, woe is me!), Portia or Shylock OR a faceless, minor character in the crowd. Think about how they would be feeling, and write a short (max 300 words) piece of writing from their point of view. Try to include a real taste for the times - what are people wearing? What can you see, hear and smell? Is the room lit with candles, big flaming torches, or perhaps are you in an outside courtroom? How are you feeling? Do you feel sorry for Shylock, on his knees with the crowd baying for his blood? Do you feel he is harshly treated - after all, he had the law on his side? Or does he get everything he deserves? After all, he is just a Jew!

For those who asked - shakespeare's insults! Click here - but you need Adobe Acrobat

Saturday, 12 April 2008

Righteous Babes and Personal Writing


Dear All,


I'm reading through the wonderful short stories S3 did today, and thinking about how many of them link back to the personal writing that happened at the end of last term. I came across Ranting Feminist / Powerful Lady Ani DiFranco a couple of years ago, and thought this might fit in with some of both creative and personal writing themes. S5 might enjoy this too, as a break from the violence and crime of MacCaig's poetry this week.


Lack of correct punctuation is intentional. You can do that once you are an artiste:


not a pretty girl


i am not a pretty girl

that is not what i do

i ain't no damsel in distress

and i don't need to be rescued

so put me down punk

maybe you'd prefer a maiden fair

isn't there a kitten stuck up a tree somewhere?


i am not an angry girl

but it seems like i've got everyone fooled

every time i say something they find hard to hear

they chalk it up to my anger

and never to their own fear

and imagine you're a girl

just trying to finally come clean

knowing full well they'd prefer you

were dirty and smiling


and i am sorry

i am not a maiden fair

and i am not a kitten stuck up a tree somewhere


and generally my generation

wouldn't be caught dead working for the man

and generally i agree with them

trouble is you gotta have yourself an alternate plan

and i have earned my disillusionment

i have been working all of my life

and i am a patriot

i have been fighting the good fight


and what if there are no damsels in distress

what if i knew that and i called your bluff?

don't you think every kitten figures out how to get down

whether or not you ever show up


i am not a pretty girl

i don't want to be a pretty girl

no i want to be more than a pretty girl


Friday, 11 April 2008

Friday 11th April (: x

Today in class we read for 10 minutes at the start of the lesson as usual, then I had to do my talk on a moment in time. I was very nervous but my audience was amazing so that made it a lot easier. After we rearranged the desks so that there was a stage at the front of the classroom. Mr Sharpe then picked volunteers to act out The Merchant Of Venice from page 147 to page 165. We learnt that Mr Sharpe is rubbish at football and let his team down badly when he scored into his own goals. This was Mr Sharpe's example of "do a little wrong and a lot a right" which is a quote from The Merchant Of Venice.

sc :) x Y

Thursday, 10 April 2008

Thursday 10 April

Today we learnt about the relationships and characters in the Merchant of Venice. We found out that everyone dislikes Shylock even his own daughter Jessica dislikes him. We then watched the film, where Antonio's time was up and he had to pay the price. Shylock was determined to get the pound of flesh even though he was offered twice the amount of money. It ended in Shylock getting all of his possesions confenscated.

AC :)