Tuesday, 15 April 2008
This is a Techie Post - only header should be visible
What we did on the 15/04/08 !!!!!!!!!!!!
Today we did some creative writing. We learned that at the time of Shakespeare men had deep feelings for each other and that they were not gay! We also learned to write as another person and to use our senses to say things like i could taste the fear...................
Mr Sharpe also introduced us to a new word.........juxtaposition-think this was it!!!!!!!
GC :)
S5 - Brooklyn Cop

I'm sure we are all revising hard, what with the exams less than a month off now. Tick tock, tick tock.
The question set today was "Choose a poem which you know well which has a memorable character. Write about the character, explaining why you found it memorable."
If I were looked at this question in an exam, I'd follow the following 8 paragraph plan:
Introduction - "Brooklyn Cop" is a poem, by Normal MacCaig. There's my triangle of text, genre and author. Then I'd have a couple of sentences summarising the poem - explaining that it is about a tough cop working a dirty beat in Brooklyn, USA. I'd explain that it is about how the cop confronts violence every day in his job, and that a part of him likes this. I'd make sure I explained that this was why I thought he was memorable.
My link paragraph would talk about the areas I was going to explore, and what I was going to show in each. For example: The character is memorable for his size and strength and his frightening appearance. MacCaig uses extended metaphor, careful words choice, and symbolism to suggest that not only is he a man who enjoys his violent job, but a well rounded three dimensional character, who also loves his wife and fears that one day he might not return.
Then I'd write PEE paragraphs in following areas:
- "Gorilla" - talk about extended metaphors, physical description of him, and why he needs to be so big, savage and beastial.
- All other the physical bits here - "heiroglyphs" etc - and talk about the suggestion that he likes and even seeks out the violence. This would lead me onto ...
- "Nightstick" - I'd talk about how he is memorable (see - referring back to the question) because his baton means he gets to be close to the people he is hitting, and how, unlike a gun, you can use it again and again. This also creates the impression that he likes violence. I'd also talk about symbolism of "night" in nightstick - is our eponymous cop the barrier that stops the "night" taking over the streets - maybe even referring back to "Hotel Room, 12th Floor" to show how clever I was
- I'd talk about his softer side, and how he is a three dimensional character, by showing how he says "see you, babe" to his wife.
- Finally, I'd discuss the deliberately ambiguous ending, and say it makes for a memorable character because it has so many interpretations - "And who would be who have to be
his victims?" - because it is strange to think of policeman as having victims. Maybe he is so brutal, we feel sorry for the criminals who will become his victims.
In my final paragraph, which would be my conclusion, I'd sum up what I'd said and make sure I'd answered the question. I'd probably say something like "this was a great poem because I've never thought about policemen enjoying the violent side of their job before, and it helped me to understand more about what it must do to a person to be so close to agression every day."
Then I'd nad in my essay and take a 20 minute break before turning up for Mr Sharpe's after school exam practice session. But that's just me.
Brooklyn Cop
by Norman MacCaig
Built like a gorilla but less timid,
thick‑fleshed, steak‑coloured, with two
hieroglyphs in his face that mean
trouble, he walks the sidewalk and the
thin tissue over violence. This morning,
when he said, "See you, babe" to his wife,
he hoped it, he truly hoped it.
He is a gorilla
to whom "Hiya, honey" is no cliché.
Should the tissue tear, should he plunge through
into violence, what clubbings, what
gunshots between Phoebe's Whamburger
and Louie's Place.
Who would be him, gorilla with a nightstick,
whose home is a place
he might, this time, never get back to?
And who would be who have to be
his victims?
Monday, 14 April 2008
Merchant of Venice - The Courtroom Scene

Hi Everyone,
We are fast approaching the end of MoV, and last week we watched and read the climactic courtroom scene. Shylock has the power of the law fully behind him, but it is his determination to stick to the letter of the law which is his undoing.
The scene peaks with him, beaten, facing the choice between the gallows, or disavowing his religion and losing his wealth.
It's a powerful scene, with drama, strong emotions and lots of colour throughout.
Today's Task
Creative writing task today folks, with a reflective slant. Imagine you are one EITHER of the key characters in the scene - Bassanio, Gratiano, Antonio (oh, woe is me!), Portia or Shylock OR a faceless, minor character in the crowd. Think about how they would be feeling, and write a short (max 300 words) piece of writing from their point of view. Try to include a real taste for the times - what are people wearing? What can you see, hear and smell? Is the room lit with candles, big flaming torches, or perhaps are you in an outside courtroom? How are you feeling? Do you feel sorry for Shylock, on his knees with the crowd baying for his blood? Do you feel he is harshly treated - after all, he had the law on his side? Or does he get everything he deserves? After all, he is just a Jew!
For those who asked - shakespeare's insults! Click here - but you need Adobe Acrobat
Saturday, 12 April 2008
Righteous Babes and Personal Writing
Friday, 11 April 2008
Friday 11th April (: x
sc :) x Y
Thursday, 10 April 2008
Thursday 10 April
AC :)