Monday, 21 April 2008
S3 - At Home With the Doggs: answers and explanation
If you missed the class on Thursday, 17th, the you missed us going back over the answers to the practice close read quiz last week. You can get a copy of the slideshow by clicking here. It's worth having a look because I've not only shown the answers, but colour coded the questions so it should be really easy to work out not just what the answer is, but why the answers are what they are.
Once again, a hearty congratulations and solid slaps on the back to all who completed this task. As the whole thing was done independently, it would have been easy not to do the task. But you all did. So good on you!
Intermediate 1 Easter Revision notes
Well done to those of you who came to the Easter revision session.
I'm testing new files storage websites: you should be able to click here to download the SlideShow used to revision close reading skills.
Feel free to download, re-read and share with the naughties who didn't come along...
Mr Sharpe
S5 - In Mr Sharpe's Absence
As I said last week, I will be covering a different class for Tuesday's class, and you will have someone else for the day.
Remember that you had some creative homework - to complete a newspaper report on the distasteful happenings of "Playing Sandwiches" by Alan Bennett - which should have been a helpful revision tactic to embed the basic plot and characters in your mind. This can be handed in at the English base into my tray.
With just days (13 lessons!) left until the exams, you can use this time well. If I were you, I'd be looking at some of the questions below and practicing answering them:
- Read the question and underline any key terms - what is being asked of you? Should you be talking about setting, character, structure and/or theme?
- Decide what you would need to answer it - no fewer than 5 quotes and PEE paragraphs for each
- Write a skeleton plan for each question: a full introduction and link, then the PEE notes for each paragraph, and a full conclusion.
- Bring the evidence of the work you complete to Wednesday's class, and I'll go over them with you
- Keep a note of any questions or areas where you are unsure for further discussion on Wednesday.
Questions
Choose a text which has a surprise ending.
Briefly say what happens in the story and then go on to show why the surprise ending makes a good finish to the story. In your answer you should refer to such features as: the plot of the story, its structure, character, or any other appropriate feature
Choose a text which has an important turning point that changes things for one of the characters.
Show how the story builds up to the turning point and say why it is important for the character. In your answer you should refer to such features as: structure, character, or any other appropriate feature.
Choose a text which deals with a topic of importance to society.
Say what you learned about the topic from your reading and whether you felt sympathy for the people involved. In your answer you should refer to such features as: theme, character, or any other appropriate feature.
Choose a text in which one of the main characters has to make a decision.
Explain what the decision is and show how it is important for the rest of the story. In your answer you should refer to such features as: turning point, character, or any other appropriate feature.
Choose a text which deals with a subject which interests you, or amuses you, or makes you sad.
Say what the subject is and why it has aroused this feeling in you.In your answer you should refer to such features as: the ideas, characters, plot, or any other appropriate feature.
Thursday, 17 April 2008
todays lesson
RB =)
Tuesday, 15 April 2008
This is a Techie Post - only header should be visible
What we did on the 15/04/08 !!!!!!!!!!!!
Today we did some creative writing. We learned that at the time of Shakespeare men had deep feelings for each other and that they were not gay! We also learned to write as another person and to use our senses to say things like i could taste the fear...................
Mr Sharpe also introduced us to a new word.........juxtaposition-think this was it!!!!!!!
GC :)
S5 - Brooklyn Cop

I'm sure we are all revising hard, what with the exams less than a month off now. Tick tock, tick tock.
The question set today was "Choose a poem which you know well which has a memorable character. Write about the character, explaining why you found it memorable."
If I were looked at this question in an exam, I'd follow the following 8 paragraph plan:
Introduction - "Brooklyn Cop" is a poem, by Normal MacCaig. There's my triangle of text, genre and author. Then I'd have a couple of sentences summarising the poem - explaining that it is about a tough cop working a dirty beat in Brooklyn, USA. I'd explain that it is about how the cop confronts violence every day in his job, and that a part of him likes this. I'd make sure I explained that this was why I thought he was memorable.
My link paragraph would talk about the areas I was going to explore, and what I was going to show in each. For example: The character is memorable for his size and strength and his frightening appearance. MacCaig uses extended metaphor, careful words choice, and symbolism to suggest that not only is he a man who enjoys his violent job, but a well rounded three dimensional character, who also loves his wife and fears that one day he might not return.
Then I'd write PEE paragraphs in following areas:
- "Gorilla" - talk about extended metaphors, physical description of him, and why he needs to be so big, savage and beastial.
- All other the physical bits here - "heiroglyphs" etc - and talk about the suggestion that he likes and even seeks out the violence. This would lead me onto ...
- "Nightstick" - I'd talk about how he is memorable (see - referring back to the question) because his baton means he gets to be close to the people he is hitting, and how, unlike a gun, you can use it again and again. This also creates the impression that he likes violence. I'd also talk about symbolism of "night" in nightstick - is our eponymous cop the barrier that stops the "night" taking over the streets - maybe even referring back to "Hotel Room, 12th Floor" to show how clever I was
- I'd talk about his softer side, and how he is a three dimensional character, by showing how he says "see you, babe" to his wife.
- Finally, I'd discuss the deliberately ambiguous ending, and say it makes for a memorable character because it has so many interpretations - "And who would be who have to be
his victims?" - because it is strange to think of policeman as having victims. Maybe he is so brutal, we feel sorry for the criminals who will become his victims.
In my final paragraph, which would be my conclusion, I'd sum up what I'd said and make sure I'd answered the question. I'd probably say something like "this was a great poem because I've never thought about policemen enjoying the violent side of their job before, and it helped me to understand more about what it must do to a person to be so close to agression every day."
Then I'd nad in my essay and take a 20 minute break before turning up for Mr Sharpe's after school exam practice session. But that's just me.
Brooklyn Cop
by Norman MacCaig
Built like a gorilla but less timid,
thick‑fleshed, steak‑coloured, with two
hieroglyphs in his face that mean
trouble, he walks the sidewalk and the
thin tissue over violence. This morning,
when he said, "See you, babe" to his wife,
he hoped it, he truly hoped it.
He is a gorilla
to whom "Hiya, honey" is no cliché.
Should the tissue tear, should he plunge through
into violence, what clubbings, what
gunshots between Phoebe's Whamburger
and Louie's Place.
Who would be him, gorilla with a nightstick,
whose home is a place
he might, this time, never get back to?
And who would be who have to be
his victims?